Paper by Gregory DiFilippi. The creaking of a door, the shattering of the window, the buildup of manic strings, or the bang of a percussive piano, all can highlight the emotional or artistic view of a film. Director James Wan utilizes the thundering of pianos and the scathing of a human’s voice within both Insidious … Continue reading The Sounds of Insidious: The use of diegetic and non-diegetic sounds within James Wan’s films